Type
|
Date
|
Title
|
Description
|
ID
|
| Awards, honours and prizes |
1997-04-23 |
Martin Lehnert Preis der Deutschen Shakespeare-Gesellschaft |
|
87493 |
| Awards, honours and prizes |
2007-11-15 |
Habilitationspreis der Philosophischen Fakultät der Universität Erlangen |
|
87494 |
| Awards, honours and prizes |
2013-11-29 |
Credit Suisse Award for Best Teaching |
|
2280363 |
| Invited presentations at conferences |
1997-03-22 |
The Theatre of the Law: Slander and Gender on the Early Modern Stage |
In Shakespeare's Shadow: Minor Drama, 1590-1610 |
95942 |
| Invited presentations at conferences |
1997-04-26 |
Vexierbilder. Cross-dressing im elisabethanischen und jakobäischen Theater |
Shakespeare-Tage |
95941 |
| Invited presentations at conferences |
1998-07-01 |
'She has that in her belly will dry up your ink': Femininity as legal challenge in the plays of John Webster |
Renaissance, Law and Literature |
95940 |
| Invited presentations at conferences |
2000-07-20 |
Death by Water: The Theory and Practice of Shipwrecking |
International Symposium: 'Sea Changes. Historicizing the Ocean, c. 1500 – c. 1900' |
95939 |
| Invited presentations at conferences |
2000-11-23 |
On the Pain of Not Being English |
11th British and Cultural Studies Conference: 'Common Ground? Crossovers Between Cultural Studies and Postcolonial Studies' |
95938 |
| Invited presentations at conferences |
2002-07-04 |
Pander, Sland'rer, Lawyer, Priest: `Go Betweens' in the Forensic Drama of John Webster |
Renaissance Go-Betweens |
95937 |
| Invited presentations at conferences |
2002-09-29 |
The Archers' Tale: Images of Britain in the Films of Michael Powell and Emeric Pressburger |
Anglistentag 2002: Section `British Cinema', |
95935 |
| Invited presentations at conferences |
2005-01-13 |
Magical Shakespeare – Performing the Supernatural in A Midsummer Night's Dream and The Tempest |
Shakespeare-Symposium |
95933 |
| Invited presentations at conferences |
2005-11-17 |
British Cinema and `the People's War' |
16th British Cultural Studies Conference 'Britain at War' |
95931 |
| Invited presentations at conferences |
2006-01-20 |
Middlebrow taste and the politics of literary evaluation |
Symposium for Ina Schabert |
95930 |
| Invited presentations at conferences |
2006-04-20 |
Machtwort und Wortgewalt im Fall Othello |
Shakespeare-Tage: Topic 'Violence and Terror in Shakespeare' |
95927 |
| Invited presentations at conferences |
2008-06-13 |
Funny Bones – Artistic Recuperation from Hyungkoo Lee's Animatus to Michael Ondaatje's Anil's Ghost |
Research Colloquium |
95925 |
| Invited presentations at conferences |
2008-07-14 |
Writing the Land in Philip Sidney's Arcadia |
Land, Landscape, and Environment, 1500-1750 |
95924 |
| Invited presentations at conferences |
2008-09-19 |
'What Sounds are Those, Helvellyn?' – William Wordsworths geistige Landschaften |
Die Topographie Europas in der romantischen Imagination der Schweizerischen Gesellschaft für allgemeine und vergleichende Literaturwissenschaft |
95921 |
| Invited presentations at conferences |
2009-01-21 |
The Gothic |
Survey of English Literature |
87499 |
| Invited presentations at conferences |
2009-03-04 |
England an Island – Jacquetta Hawkes's A Land and the Symbolic Form of Englishness |
Research Colloquium King's College |
87481 |
| Invited presentations at conferences |
2009-06-19 |
The Beach as a Site of Transgression and Transformation in the Work of Daphne du Maurier |
Twixt Land and Sea: The Beach in Literature, Film and Cultural Theory |
87480 |
